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These are extracts from May’s Snakebaskets. Sign up here to receive the whole message!

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From London Coordinator Russell
elvis_100x100After a relatively quiet April, we’re back with a vengeance. Poetry, it seems, is bustin’ out all over. So what’s happening? Well, we’ll be back at the Canal Cafe in Little Venice again on the 16th, this time with that tartan toerag Elvis McGonagall. And over in Islington, the lovely Helen East will be pounding the pavements and propping up the bars, taking folk-stories back to where they belong (i.e: da people) – lots of dates for that, see below.

Yellow-Show-100x100On the 22nd, Jawdance will be opening its arms to those members of society that local newspapers like to call ‘budding bards’. Form an orderly queue, please. Getting the month off to a disturbingly odd close, we’ll be presenting Rob Auton’s Yellow Show on the 28th – in which the surreal wordsmith sings the praises of his favourite xanthic pigment. Well, not literally sing. We hope. All this, plus a SPIN on the 25th (part of Southbank Centre‘s always excellent London Literature Festival) and a Writing Room on the 29th with Malika Booker. Gosh, what a varied month. Aren’t we fantastic?

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From West Midlands Coordinator Bohdan
HtO_175x200Hello all! May! Things are growing. Things are blooming. Things are expanding. Oh, and nature is doing its thing too, or so I’m told. I wouldn’t know I’ve been busy marveling at all the poetry sprouting all around the region. A good place to take a look at West Mids talent will be the Artist Reveal Yourself Festival – if you want an overview of what’s been brewing in the region, the two free weekend sessions featuring up-and-coming and established poets are your answer. On Thursday 16th Hit the Ode continues its triumphant march, of course. You may or may not know that we have started filming the nights with an eye on editing a documentary. The short film will be as much about the audience as the guest artists. Show up if you want to be immortalized!

After a month-long break, Wordsmiths & Co. returns on Monday 20th with a wonderfully varied line-up. If you want to refresh your memories from previous editions, check out the series website – wordstmithsand.co. And finally – Poets’ Place is back, in the cozy and welcoming Yorks Bakery Café – that’s on the 4th and 18th.The sessions are going strong, and remain true to the night’s motto: write poetry. Share poetry. Eat biscuits! Join us live and/or online at facebook.com/placeforpoets. See you very soon!

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From North East Coordinator Kirsten
Hi everyone, here’s your exciting May right here… It’s Late Shows month of course, so we’re shifting Scratch Tyne to Saturday 18th and becoming part of Commercial Union House’s evening of wonderment. Expect roaming, floating and site specific poetics in amongst the theatre and visual art on every floor.

HC_100x100Then join us at Jibba Jabba on Thursday 23rd to see gorgeous Birmingham-based poet Jodiann Bickley, just one of the loveliest performers around. At 1pm on Thursday 9th you can hear the next of our radio commissions, the superb Bob Beagrie performing with bespoke music from his album Disendcha – listen online at basic.fm. Sound good to you?

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From South East Coordinator Pete
Hello, how much fun was April’s 451? An enthused audience heard, saw and experienced James Barnes, Megan Beech and Niall O’Sullivan following a top quality open mic. In the words of Megan: “Thanks for a great gig, best atmosphere I’ve seen in a long while.” And Niall said “I had a great time and the two other feature poets on the bill made me genuinely nervous at having to follow them.” And the audience said ‘Yay! and ‘Whoot!’ and clapped a lot.

BigTalk-Logo-100x100To May: on Friday 10th there’ll be an Archimedes Screw Showcase in Southampton, featuring World Slam Champ Harry Baker and then in Margate we’ll be listening to Stewart Taylor and Ray Antrobus amongst other voices at Big Talk on Friday 31st. All event details are below. Also look out for a special youth version of the annual Brighton wordfest Poets v MCs called Bite! featuring Dizraeli on Wednesday 29th. And a final word of congratulations to young Oxford poet and member of the One Way Ticket team, Azfa Ali, who won the 2013 Christopher Tower Poetry Competition for young writers.

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From South West Coordinator Gina
May_100x100It’s May! I’m delighted to welcome Forked back on the 23rd with outstanding new-comers, hysterical Poetry Bingo and the gorgeous Salena Godden, it’s going to be a fantastic ride, jump on board! Get your tickets now for Folly on 6th June, a beautiful spoken word and live music score from Sally Jenkinson.

This month, The Abyss Theatre Company present The Roving Theatre Poetry Festival and a new production Lucifer Saved! It’s an exciting 3 week Theatre and Poetry residency in Exeter, involving tons of Poetry performances, workshops and discussions, all with regional poets and supported by Apples and Snakes, details can be found here. Cheerio!

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These are extracts from April’s Snakebaskets. Apples and Snakes’ Snakebaskets are monthly newsletters tailored for each region we work in. Here you will find lots of exciting spoken word stuff and more about what we are up to in your area. Why not join our mailing list? Click here for more.

“just wanted to say thanks for one of the best poetry-info emails I’ve ever received. Hope to attend at least a couple of the events – brilliant!” London Snakebasket reader.

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OWT artists pic2March saw the final day of the emerging artists’ workshops, which culminated in a rehearsed reading of all the new work generated by the artists involved. New Writing South were again our hosts for the day, and the event was truly inspiring. Chris Elwell, Director of Half Moon, was on hand to input to performance, and Pete and Daniela from Apples were there to video proceedings and input to discussion on taking work forward. Everyone presented great new work, which they will hopefully take forward into other settings.

Azfa Ali spoke movingly and beautifully about her own life experiences as a refugee from war; Jenn Hart from the touching point of view of a young asylum seeker in a children’s centre in this country; Katrina Quinn explored her teen years in Zambia in a fascinating piece of autobiography (complete with national anthem); Sophie Rose wrote about the British Child Migrants from the perspective of a child now, trying to make sense of it all, in a piece with humour and pathos; Joshua Seigal wittily explored his own family history through the eyes of a dreadful schoolmate; Deborah (Debris) Stevenson also wrote about the Child Migrants’ scandal, with a strong, striking performance; Lorianne Tika-Lemba explored identity through a lyrical approach to mixed heritage; and Michael (Gulliver) Vidon devised enchanting ways of placing himself on his family tree.

OWT artists pic1Given eight artists with ten minutes each, the show was a big ask for the children in the audience, and much longer than the average performance for the age group. However, in an informal feedback session afterwards with Nicky from Apples and Snakes, the children attending generally gave the show a 7-and-upwards out of 10, which is a fantastic result, especially considering most of the artists hadn’t written for children before.

It was a great beginning to the project. This much is clear from the feedback so far – opportunities of this nature are few and far between for young artists. Having the chance to observe at first hand the creation of work from scratch, watching and learning from each other, made it a unique experience for critical engagement and supportive co-learning. Creatively, it opened up a wide range of responses that people are keen to take forward – indeed, some have already done so, trying the work out in school assemblies and other contexts.

Big thanks to all involved – especially the artists and the partner organizations – because it’s been a brilliant first stage. As I write this, we have already kicked off on the second stage – but that’s for next time. Meantime, I have a ship to go look at, as a possible performance venue for the tour.
Rosemary Harris

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Deborah Stephenson 2On 9th March I arrived at The Writers Place, New Writing South in Brighton, just in time to wait in the porch way for fear of disturbing Sophie Rose rehearsing her piece, and listening to it, I realised how much work the poets had put into their poems since I had heard the bones of the poems the previous week.

Sophie Rose1On Saturday 2nd March, the One Way Ticket poets – Azfa Ali, Deborah Stephenson, Michael Vidon, Katerina Quinn, Joshua Seigal, Sophie Rose, Lorianne Tika-Lemba and Jenn Hart, plus the project leader Rosemary Harris – had been in Southampton at the Nuffield Theatre for workshops and to share the half-formed pieces they were intending to present at the showcase the following week. These proto-poems were given their first airing for peer review. Everyone had managed to approach the theme of child migration from a different angle, making for varied, layered, colourful and moving pieces. Some called on personal or family experiences, whilst others put themselves into the minds and families of those who experienced the deportations.  It’s a testament to Rosie’s experience at structuring workshops and to the openness of the poets, that feedback was given and taken in good faith and good heart.

michael vidon1On the 9th March, the group gathered in Brighton in order to share their work with the public, but first there were more exercises, tweaks and feedback. Rosie put everyone through their paces and Chris Ewell from Half Moon children’s Theatre offered his expert feedback on the run-through whilst I filmed each poet talking about the project for feedback. What struck me during the afternoon, as well as the raise in quality of the work, was the closeness of the group. The past 4 workshops had really drawn everyone together and they all cared about each other’s poems and shared personal experiences and tips and tricks for performance. As time drew closer for the showcase itself in front of … gasp! … a real audience, nerves were beginning to show and words of reassurance were shared, as, to be honest,  no-one needed to be concerned about how they would perform.

Lorrianne Tika-LembaEach poet had raised their game since the previous week’s workshop. The poems had been chopped and changed and honed and polished and wrestled into shape and then memorised as much as possible so that each poet could gave as good an account of themselves as possible. There were a few youngsters in the audience, who initially bore the focus of the audience participation sections of the poems  until the rest of the audience were drawn in and became involved.

Azfa AliThe ways of approaching the difficult subject of the project, child migration, were very inventive – Michaël introduced us to his family tree via the letter ë in his name, which transformed into a roving snail; Azfa shared an allegorical tale of a tortoise rebuilding its shell after it had been blown apart; Katerina became her younger self in a family who relocated to Zambia when she was a child; Sophie created a family expecting the return of a long-lost uncle who was deported in the 50’s; Lorianne explored the idea of not fitting in and how she shared her insecurities with her childhood friend – a doll; Joshua used a piece of string to help him begin to explore a family history he didn’t know he had; Jenn imagined herself being a child in a Centre For Asylum seekers , waiting for someone to claim her and Deborah introduced us to some of the harsh conditions the deported children experienced once they were in Australia.

joshua SeigalAfter the show there was a great deal of chatting and hugging and congratulating amongst the poets and the buzzy atmosphere continued as we made our way to a café/bar for a winding-down drink and something to eat. Gradually everyone reluctantly drifted off, still chattering about poetry, performance and politics. There may even have been a couple of tears!

However, everyone has already been back in touch by email – sharing their plans and wishing Sophie luck as she goes forward to work with Rosie on the second stage of the project; and everybody has further plans for the work they developed on One Way Ticket.

OWT feedback web

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These are extracts from April’s Snakebaskets. Sign up here to receive the whole message!

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From London Coordinator Russell
Apr-100x100I can never get used to early Easters. I missed Pancake Day because it was so early. Now I have to wait a whole year for the next one. And what about Easter Monday coinciding with April Fools’ Day? What sort of message is that sending out? Anyway, to April! Our work with Heart ‘n’ Soul continues with Allsorts on the 4th, and then we help Occupy Platform on the 6th and 7th. More on those below. Later in April, Jawdance continues to fine-tune itself into the well-oiled poetical juggernaut that we always knew it would be. It even has a new logo. But, of course, it’s not about marketing, it’s about poetry [can I say that, marketing department?], and we’re always looking for new poets and new poetry-films – so come along and add your artistry to the, ahem, ‘rich mix’ on Wednesday 24th!

deadpoetsThe Writing Room continues with Mark Grist and Mixy (AKA Dead Poets) on Thursday 25th – so if you’re aged 18-25, make sure you sign up – more info on the Facebook Page! SWITCH reaches its heady culmination on Friday 29th (also at Rich Mix) where poetry and climate-change finally swim into one another’s ken. Be there. A smattering of things to pique your interest. Oh, and we’ve got some hefty projects up our sleeve for later in the year. Can’t say any more – I’ve said too much already.
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From West Midlands Coordinator Bohdan

Level-Up-Logo-100x100

 

Hello all! April is the cruelest month, they say, but like many pieces or received wisdom, I find this an unlikely proposition.. Let’s see if we can undermine this. It shouldn’t be too hard: Hit the Ode continues with another powerful line-up on the 18th, include a collective, a multi-talented film/poetry artist, and an Australian slam champion. Level UP, Birmingham’s unique poetry night for young people, returns for a second instalment on the 26th. This time, it will feature the mighty Polarbear himself, alongside Dan Cullen and, well, possibly you, on the open mic. And Poets’ Place, now settled in the new venue, awaits your arrival with impatience on the 6th and 20th. And coffee.

Wordsmiths & Co. is taking a break this month. Don’t worry, we’ll be back in May and June with some more incredible line-ups, but in the meantime, why not visit the brand new website for the night? Go to www.wordsmithsand.co to relive some of the night’s most exciting moments on video or in podcast form.  Find out more about what’s going on in the region after the jump. See you very soon!

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From North East Coordinator Kirsten

Jean-Binta-Breeze-100x100It’s here! She’s here! It’s the big one!! Jean ‘Binta’ Breeze heads up a classy playlist at Radikal Words, on the 10th at Northern Stage – book tickets NOW to avoid disappointment! And, natch, there’s a great little Scratch Tyne on the 21st, all about the new poetry, with music from Miss Danby and Stephen Frizzle. Come as a punter to the performance bit, come as a poet to the rehearsal bit – and if you’re still not ready for the stage, come as a writer to our monthly Writing Poetry For Performance drop-in session!

Bob Beagrie heads up our series of guest performers at NeST Gallery in Barnard Castle with Inscapes, a workshop and performance based on connection with place on the 14th, and… Massively exciting news –the first broadcast of our new spoken word show on www.basic.fm, taking the Home Cooking brand onto the airwaves with a series of creative commissions cooked up at the kitchen tables of ten north east poets. First one from me, featuring tidbits from performers I have programmed over the last two years – tune in at 1pm on 11 April, with repeats every Wednesday.

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From South East Coordinator Pete

451_100x100In March we witnessed the birth of 8 new poetic pieces aimed at 8-11 year old audiences from emerging artists, as the One Way Ticket workshops lead by Rosie Harris came to fruition in Brighton. There was also a special event in Totton where Jonny Fluffypunk lead proceedings as the Headway Biscuit Poets presented their hard-bitten (see what I did?) words to a wrapt audience as part of a fundraising showcase. Voices were raised (in a good way) in Canterbury as Patience Agbabi shared her performing poetry wisdom to a full workshop, all of whom have promised to show their faces with their new-found skills at an event near you soon (possibly).

At March’s Archimedes Screw Showcase, James Barnes performed his way into a slot at April’s 451 - that’s on on the 15th! Joining him this month in Southampton is one-time poet-in-residence at Wimbledon Tennis Championships, Niall O’Sullivan, who will be tossing a few poetry balls into the air and serving aces at the audience, whilst Slambassadors champ Megan Beech tells it like it is and James Barnes battles with his prose/poetry/prose for your entertainment. It’ll be great, but I would say that; but then again I would say that, because it’ll be great.

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From South West Coordinator Gina

graphic 100x100Greetings fine fellow wordsmiths and word lovers. April is a month of contemplation for Apples and Snakes SW, with preparations well under way for a busy summer – though we do have The Rememberers coming to Arnolfini on the 27th! FORKED will be back in May, with a very exciting line up including Poetry Bingo (and yes, that means getting involved), local heroes and the utterly fantastic Salena Godden, who performed at the first ever FORKED many moons ago! Early June see’s the delightful and beautiful Folly debut in Devon, think smooth, witty stories perfectly complemented with gentle guitar. More to follow on this in next month’s Snakebasket

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These are extracts from April’s Snakebaskets. Apples and Snakes’ Snakebaskets are monthly newsletters tailored for each region we work in. Here you will find lots of exciting spoken word stuff and more about what we are up to in your area. Why not join our mailing list? Click here for more.

“just wanted to say thanks for one of the best poetry-info emails I’ve ever received. Hope to attend at least a couple of the events – brilliant!” London Snakebasket reader.

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These are extracts from March’s Snakebaskets. Sign up here to receive the whole message!

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I don’t know about you, but I feel like things are constantly speeding up in the poetry world. Wouldn’t you agree? Take a look!

Level-Up-Logo-100x100The big news this month is the launch of Level Up on the 28th in collaboration with Write Down Speak Up and with the support of a grant from the Birmingham City Council. It’s a quality spoken word night aimed squarely at young people – if you’re aged between 12-19, this is your chance to make your voice heard… And to meet some of the country’s best performers. We haven’t published the full line-up yet, but because it’s you, I’ll give you some names: Polarbear. Hollie McNish. Dizraeli. Kate Tempest. Dreadlock Alien. I know, right? More good news: Poets’ Place returns in a new venue – so once again you can use your Saturday afternoons to chat, write, and share tips with fellow poets. That’s the 9th and 23rd!

Word-Smiths-175x200After a successful run of 7 workshops, Power Plant has come to an end. If you attend one or more of the sessions, I’d love to hear from you – tell me what you thought of them, whether you think the series was useful, and what you would like future masterclasses to focus on. Let’s make the second season even more powerful. And, er, plant-like, I guess. There’s more – a very special Hit the Ode on the 21st, Wordsmiths & Co. featuring Jean ‘Binta’ Breeze and Daljit Nagra on the 13th, and some real gems in the “recommended” section – but you can check all this yourself after the jump.

See you very soon!
Bohdan Piasecki, Apples and Snakes West Midlands Coordinator

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March is chock-full of events and opportunities from Apples and Snakes, so please excuse the less-than-ambling preamble and allow us to sprint straight to what’s happening this month.

Two workshops in March to put you on the path: this very Friday (the 1st) the masterful Steve Tasane leads our Poetry Toolkit masterclass in being a performance poet – and he should know, having made a living from it for 20 years. A month of back-to-basics, then, as we explore all things digital on the 28th with Charlie Dark and our very own Digital Marketer Dan Simpson at our Social Media for Beginners workshop.

WaS-100x100Event-wise, we’ve something for everyone this month. If you find yourself around St. Thomas’ Hospital on the 11th then you’re in for a treat, as Zena Edwards and Hollie McNish perform some Spoken Word at Lunch – sort of a Mother’s Day / International Women’s Day special, that one. We’re supporting new work too, with Si Mole and John Berkavitch scratching shows on the 15th at that fancy new Culture Space in Canada Water, before The Word’s a Stage on the 20th at the Gallery Café sees four exciting poets each perform a new 20 minute piece they’ve written for the occasion. Is that enough newness?

thumb100x100No? Well how about our two participation projects, SPINE and SWITCH? If you (or someone you know!) are aged 12-19, you get to work with Malika Booker and be part of Vauxhall Voices – that’s SPINE! As for SWITCH, 15-18 year olds write with Charlie Dark in bringing spoken word and climate change together. And then there’s The Writing Room for 16-25s on the 28th, this month led by Inua Ellams – find out more on our new Facebook page! All exciting projects – email Daisy (daisy@applesandsnakes.org) to find out more or to take part!

Two regular events at Rich Mix too: StoryCraft for the 2-5s is happening on the 18th, plus our big open-mic night Jawdance rounds off the month, this time hosted by Paula Varjack – usual day (4th Wednesday of the month = 27th), usual place (Rich Mix – but you know that by now, right?). And lastly, Apples and Snakes has been awarded a grant from the Clore Poetry and Literature Awards Duffield Foundation in order to deliver a series of storytelling and creative writing sessions to young patients at The Royal London Children’s Hospital in Whitechapel, together with Vital Arts, the arts organisation for Barts NHS Trust. Look out for that later this year!
Russell Thompson, Programme Coordinator for London

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This March a spoken-word spring is … er …springing, with performance poetry events popping their heads above the soil all over the place like bright little croci. February’s 451 was packed out (apologies to those who turned up and couldn’t get in) and rocked to the sound of the open mikers, the Fairbridge Collective, Stewart Taylor, Michael James Parker and Joelle Taylor.

BigTalk-Logo-100x100March brings a flurry of new events around the region alongside the regular open mics and slams; including a new slam in Tunbridge Wells and a veritable spring blossoming of spoken word in Southampton with both Mark Grist and Steve Larkin performing one-person shows and the Biscuit Poets of Totton performing their first ever poetry show with Jonny Fluffypunk on the 15th. There’ll also be Big Talk at the end of the month (the 29th!) in Margate with the brilliant Francesca Beard and young slam-champ Tom Sissons – see events below for details.

And don’t forget that the deadline for Glastonbury Festival poetry falls on 10th March, so if you haven’t sent your CV and samples in to them, get sending!
Pete Hunter, South East Coordinator

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Hello my lovelies! You won’t believe how much great stuff I’ve got for you …

Amuse_Bouche_100x100Amuse Bouche comes to Live Theatre on the 19th, so all you Tynesiders can get a free dose of specially selected spoken word from Andrew Sclater, Elaine Cusack and Rowan McCabe. Scratch Tyne on the 17th is a party with Material Magazine launching their March edition AND celebrating their first birthday – expect a new poets, live music from Miss Danby and Dead Peasants, and a truly bizarre and kitch post-show playlist if current Facebook track suggestions are anything to go by. And Black Light Engine Room on the 22nd gets their first dose of Apples support as we bring the wonderful Anita Govan down from her native Edinburgh to headline this Boro institution!

Nice. HEADS UP!  THE LEGENDARY DUB DIVA JEAN BINTA BREEZE M.B.E. PLAYS RADIKAL WORDS AT NORTHERN STAGE ON 10 APRIL, GET YOUR TICKETS EARLY AS IT WILL SELL OUT!!!
Kirsten Luckins, North East Coordinator

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May_100x100FORKED is back on the 21st with another great line up, including Exeter Poetry Fest 2012 Slam champion, Robert Garnham, young gun Ben Norris and Bristol poet Liz Greenfield. Keeping you on the edge of your seats the headline act is still to be confirmed! You will just have to turn up and find out who will complete your poetry plate this month, or keep an eye on facebook!

The culmination of Word Play is happening too - The Thing Is… showcase will see participants who have been work-shopping with poets over the last few months come together and demonstrate their new found writing and poetry skills, in an array of interesting ways.

Until next month!

Gina Sherman, South West Programme Coordinator

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These are extracts from March’s Snakebaskets. Apples and Snakes’ Snakebaskets are monthly newsletters tailored for each region we work in. Here you will find lots of exciting spoken word stuff and more about what we are up to in your area. Why not join our mailing list? Click here for more.

“just wanted to say thanks for one of the best poetry-info emails I’ve ever received. Hope to attend at least a couple of the events – brilliant!” London Snakebasket reader.

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Katrina

We met bright and early at the Half Moon Theatre in East London. Our sleepiness was soon forgotten as we warmed up with cups of tea and exercises that got us moving, making strange sounds and creating stories together. We then sat down to hear the first half of the group’s work that they’ve developed for the project so far. From the get-go it was clear that everyone had pushed themselves and branched out in new directions. It was inspiring to listen to what people had written on various issues relating to child migration, and useful to hear feedback which we could also apply to our own work.

After a short break we had a session with Mervyn Humphreys, who, together with his wife Margaret Humphreys, set up the Child Migrants Trust. He was accompanied by his granddaughter Sophia, who at 9-years-old, gave us an idea of the audience we are writing for. It was a privilege to meet a man who’s impacted so many people’s lives for the good.

A tasty lunch together was followed by Aoife Mannix and Janie Armour’s show: ‘Misunderstood Monsters’, which is aimed at 4-9-year-olds. We had fun joining in with the young audience, and I found it helpful to chat to the ladies afterwards about the creative process.

Finally, we heard the other half of the group’s new work. The variety of writing strengths and styles between the eight of us is exciting and makes this process all the more enjoyable. I’m relieved that the group atmosphere is not competitive, but supportive – and we all have a lot of fun together too. I think we all came away from our third Saturday together with heads full of thoughts and ideas and information to mull over, as well as feeling motivated to really make the most of the time remaining.
A guest post by Katrina Quinn.

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A guest post from Joshua Seigal on the second workshop session of One Way Ticket

Josha Seigal PhotoOn Saturday 2nd February, the group of young poets and performers selected to participate in Apples and Snakes’ project One Way Ticket met for the second time. Having kicked off the project the previous week at the Nuffield Theatre in Southampton, the group assembled nice and early at New Writing South, an intimate venue in Brighton, to watch a performance by Rosie Harris, the leader of the project, of her children’s show A Roo In My Suitcase.

The point of watching was to give us young practitioners a taste of what a children’s spoken word show is like. Although aimed at different ages – One Way Ticket will be aimed at 8-11 year olds whilst Roo is aimed at 3-6 year olds – watching Rosie perform provided us with some valuable insights. Rosie controlled the space fabulously, and her show was a wonderful blend of rhythmic poetry and audience participation. Watching the smiles on the children’s faces was certainly one of the highlights of my weekend.

Having imbibed this experience, the group came together to discuss it. Everyone thought it had been highly interesting. We asked Rosie several questions, such as how long the show took to prepare, the extent to which the director had been involved, and how to factor in the time necessary to deal with an inevitably unpredictable audience. Once Rosie had discussed some of these issues, each member of the group presented their own spoken word piece. The purpose of this exercise was to get a feel for each other’s work, and to discuss what makes a piece suitable for a young audience. None of the pieces presented were originally intended for such an audience, but we realised that they all made use of techniques and devices that could be very effective for a children’s show.

A striking aspect of this exercise was how varied our work was. From highly rhythmic, rhyming pieces to free-verse storytelling; from powerful political diatribes to latter-day fairytales, each member of the group had something unique to contribute. This was further emphasised when we went on, towards the end of the day, to discuss the ways in which each of us might like to contribute to the One Way Ticket project itself. What emerged was that, as well as having our own performing and writing styles, each of us has an interesting story to tell- whether garnered from autobiography or research.
Josh Seigal
joshuaseigal.co.uk

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A guest post from Michaël ‘Gulliver’ Vidon on the first workshop session of One Way Ticket.

Michael-Vidon-Bio-PicThe first session of the One Way Ticket programme of workshops started on Saturday 26 January at the Nuffield Theatre in Southampton. Rosemary Harris, who ignited the project in partnership with Apples and Snakes and other organizations of the South East, is our facilitator and mentor.

She introduced us to her project and explained in more detail her journey and expectations for the workshops. She proved to be a great workshop leader, alternating between informal chats and structured exercises. First impression: being in the company of seven fellow poets that are at different stages in their careers, who are open to sharing their experiences, is such a rare opportunity. This first session was as much about getting to know and learning from each other as it was about receiving Rosemary’s input.

Thus a good ten minutes was dedicated on how we want to be called by our peers, because the correct pronunciation of one’s name is more important than it appeared to me prior that day. “Debs, Deb, Deborah, Debris, not Debbie!”; “Lorianne with a French r” ; “Azfa, I do stress the z, some people don’t and I don’t mind…” “No, it is important”… Rosemary said that more than anything loves to hear her name uttered by a Scot… “But Rosie is my name for children, we decided it would be better.”

My name is Michaël – not Michael, Michaël – the trema separates the e from the a. And this rather trivial moment in the workshop inspired the first chapter of my story for the project when I started two weeks later.
It is striking that the selection process was well thought through as the group is really diverse in styles and backgrounds as evidenced by our first writing exercise: composing, in 15 minutes, a poem based on a childhood memory shared by someone else. After performing the poem followed by the borrowed memory, we were invited to go through our process, explaining the form we chose, what lead us to write in such a way and what we would do to improve the piece. This was a really interesting exercise as our experiences as writers are very different: some have mastered a style and went with it consciously, some chose from an array of forms that they judged fitted the situation best, and those who first claimed that they “just write” realized that they have an embedded process that they had ignored until then. This exercise showed that we are all very different, that there is no right way, and that it helps to be conscious of one’s process. Then, we can decide to play on our strengths or try new things.

I am looking forward to the next workshops where I hope to learn more about writing for children and exploring new ways to do so: integrating serious subjects like Child Migration in my repertoire as well as experience forms that I have ignored up to now.
Michaël ‘Gulliver’ Vidon

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A guest post from Rosie Harris introducing her new project in the South East, One Way Ticket.

rosie-harris-175x200One Way Ticket is a new children’s spoken word show by me as lead artist, currently in its research and development phase, being funded by Arts Council England and with five (count them!) partner organisations. My previous children’s show (which I’m still bouncing around the country with), A Roo In My Suitcase, had the great team of Apples and Snakes and Half Moon Young People’s Theatre on board. As well as that lovely partnership, this time we have the Nuffield Theatre Southampton, New Writing South in Brighton, and the Child Migrants’ Trust in Nottingham.

Part of the brief this time around is also about developing emerging artists in the South East, and we have a team of eight who are proving to be as diverse and inspirational as we could wish as we begin to explore themes of child migration. They’re travelling from Reading, from Oxford and Ilford and Southampton and all bringing their own metaphorical bags of energy and commitment. Oh yeah, and they’re going to be doing most of the blogging! I can’t wait to see the work that develops from such an exciting beginning. Watch this virtual space.

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These are extracts from February’s Snakebaskets. Sign up here to receive the whole message!

From all at Apples and Snakes
Did you catch When Words Collide on BBC1Extra on Sunday? It’s a documentary about spoken word, including Kate Tempest, Scroobius Pip, Polarbear and more! Plus, clips from the Shake The Dust Finals. Essential listening – catch up on iPlayer HERE before it disappears! Lastly, Apples and Snakes is delighted to announce that we’ve secured funding for core costs from the Garfield Weston Foundation, enabling us to continue the work we do in England.

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From West Midlands Coordinator Bohdan
HtO_175x200Hello all! Ah, yes, February. I have always felt this was an under-appreciated month: it gets fewer days than the others, and has a gloomy and cold reputation. Let’s see what we can do to change this! A quick look at the line-ups for the upcoming events (after the jump) should be enough to convince you. We have Malika Booker leading a Power Plant workshop on Saturday 2nd. We have M’sieu Dam, the French slam champion, performing at Hit the Ode on Thursday 28th.

And we have Kate Tempest and Patience Agbabi sharing lyrics and thoughts at Wordsmiths & Co. on Monday 18th, one of the most exciting double bills I’ve had the pleasure to announce in this newsletter. One important piece of news: you will note that there are no dates for Poets’ Place this month. Not to worry: we are close to finding a new venue for our fortnightly meetings while the Central Library closes in preparation for their big move to new premises. For up-to-the-minute news, consider joining the Poets’ place FB group here! facebook.com/placeforpoets

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From London Coordinator Russell
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Hello there. And in a packed programme this month, we bring you a whole host of verbal sweetmeats. There’s our Writing Room workshop for you under-26s on the 7th – this time featuring the dubtastic Jean ‘Binta’ Breeze. And, speaking of workshops, Steve Tasane will be presenting his perennially popular Performance Poetry Toolkit on 1st March. That’s open to everyone – even really really old people of, like, 27.

Jawdance will be [insert own dental pun] once again on Wednesday 27th, after a dynamic return in January. And elsewhere on the calendar, there are two shows featuring the poetic demimonde’s favourite speccy entertainer, John Hegley: the 13th at Lunch at Guy’s Hospital, and on the 28th at our new West London night Gongoozled at the Canal Cafe Theatre. Meanwhile, down in the badlands of Wimbledon, Alex Gwyther is presenting his new show Truce, which is great, and which you must catch before it’s snapped up by the sort of venues where you have to pay £5 for an ice-cream.

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From South East Coordinator Pete
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Hello, 451 in Southampton is coming up on Monday 18th and as well as featuring Joelle Taylor and Michael James Parker there will be local lad Stewart Taylor who gained the audience vote at January’s Archimedes Screw and a special performance by a group of young poets from the Princes Trust.

February is the shortest month, but it’s chock full of potential – look at the call out for poets to perform at Glastonbury 2013 in the opportunities section, and then there’s the chance to see rap-battling poet Mark Grist doing his one-man show in Southampton on 7th March (as well as entering the open poetry slam) and I mention that now because there’s currently an early-bird ticket offer available here. There’s also an emerging artist development programme starting up in the South East this month called One Way Ticket, in which writer Rosemary Harris will be mentoring a selection of young poets interested in developing shows for children.

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From South West Coordinator Gina
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This month starts with the amazing show: Pete The Temp Vs Climate Change plus some wonderful support acts. Wherever you reside in Devon, be sure to head to this multimedia extravaganza as it hits Exeter on the 4th and Barnstaple on the 5th with a bang.

I’m thrilled to have programmed a 2 night festival of spoken word and music, I am calling Shoot From The Lip! Taking place at the cozy and cool Bike Shed Theatre on the 22nd and 23rd of this month. Jam packed with regional and national spoken word artists and musicians you are sure to be entertained and astonished. See you there folks!

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From North East Coordinator Kirsten
big-heart-100x100We survived January! Brrr, well done us – and though it’s somehow still not spring yet, I have a lovely load of spoken word to warm your cockles this month. I’m very excited to bring you the truly lovely Richard Tyrone Jones, who has a Big Heart. His one-man show about his personal experience of heart failure is coming to the Lit & Phil the day after Valentine’s Day – just our little joke! Despite the serious subject matter, and the satisfyingly geeky science he explains, this is a funny and positive show featuring anecdote, poetry and animation. Well worth a night out, and the only spoken word show I know to be sponsored by the Wellcome Trust and reviewed by New Scientist.

Then of course we have Scratch Tyne on Sunday 17th, the free monthly helping of new poems and new poets eager for your feedback, this month featuring the launch of Material Magazine, so expect new faces and some music too. And finally we have Read Our Lips takes on Articulate on Wednesday 20th a special night of live lit and filmpoems at ARC, featuring Rowan McCabe, Jenni Pascoe, Allison Davies and Amir Darwish all talking about the purpose and future of poetry. Plus one lucky poet will win £100 in our Filmpoem Competition – those are being made on Saturday 2nd!

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These are extracts from February’s Snakebaskets. Apples and Snakes’ Snakebaskets are monthly newsletters tailored for each region we work in. Here you will find lots of exciting spoken word stuff and more about what we are up to in your area. Why not join our mailing list? Click here for more.

“just wanted to say thanks for one of the best poetry-info emails I’ve ever received. Hope to attend at least a couple of the events – brilliant!” London Snakebasket reader.

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